Thursday, April 19, 2012

Tales from the Green Denon Tape: PART 1

Denon

Starting around 94ish, every time I wanted to record something I'd grab this tape. I'm going to do a series of posts exploring the murky depths of the green Denon tape. Part 1: An instrumental by myself and Ian Peacock.



Peacock

Ian was the first guy I played music with in high school. He was steeped in 90s indie rock tradition and lent me Superchunk's Foolish on vinyl and Liz Phair's Exile In Guyville, and played me "I Am A Scientist" and lots of K Records stuff. I named his band Dagobah Playset, so he invited me to join, even though I could just barely play a G chord at the time. We'd later go on to form The Manny Trillo with Erin. It took me hours to figure out who was playing this song, since it's clear that neither the guitar or the drums were being played by either of my brothers. I feel a clear Buddy Sevaris influence is evident.
And just to show that I am magnanimous when it comes to embarrassing old photos, please enjoy this goddamn trainwreck:

Bus

Wednesday, March 21, 2012

The Sick Passengers: If You Are Not Well, You Will Not Be Left Alone

Mark, Chris, Bill, and I recorded four songs in an afternoon in December 2001 in a tiny studio located just below Canal Street. We were still young and precocious enough to think it was a good idea to start our recorded output with the boast “I know everything” and use mathematical equations in song titles. This demo helped us to land many a gig in the early years.

Thursday, March 15, 2012

QTB Y2K

On March 7, 2000, Quit The Breathin' spent 1 day and $100 recording 8 songs with Matt Harrington in the studio above the late Sea-Sea's in Moosic, PA.

Recording 6



Recording 2
Todd:
I remember playing easy friend like 86 times for that goth engineer dude. I think the coolest memory of that record for me was walkin into the dorms and hearing people playing it loud! Good times ....lots of good times!!

Recording 7
Ed:
I recall an abundance of caffeine and cigarettes, a dusty room, and
endless takes of “Easy Friend”. Otherwise, a lasting regret of not
redoing the vocals on “Re-Write” is all that’s really left. And the
recordings, of course.

What is a bit more vivid are random traces of putting the CD’s
together. Each one lovingly hand-crafted by the four of us for the
adoring public.

Real D.I.Y shit ‘cause that’s what punk bands do, right?

Discs were burned on my long-forgotten external CD burner that worked
every third time. Based on Greg art, I laid out the inserts. Then,
much to the dismay of students doing actual school work, taking up the
art building’s color printer to run 11” x 17”  sheets containing said
inserts. X-acto-a-thons at the Madonna hall front desk, where Greg and
I worked and Todd and Mal lived. Cut, fold, insert, repeat.

The first 118 were the elements of the Periodic Table. I remember
having a cardboard rectangle to keep the element box uniform from disc
to disc. Some lucky soul out there has number 26/Fe  with “Iron helps
us play” etched on their disc.

Amazingly enough we sold all of those and made another 50 and then
another 50 after that. Between those profits and Todd yelling, “$5
t-shirts!,” to a bunch of 12 year olds, who gladly handed their
allowance over, where the hell is all that money?

Recording 5
Greg:
This was the first time I had ever recorded with a band before, and despite a few bumps here and there I think we did a great job. Especially since I had a cold that day. There was a wonky vocal set-up where the backing track was coming out of a stereo. It had to be played loud enough so whoever was singing could hear it, but not so loud that the mics would pick it up (Hey, what do you want for $100?) Sick or not, lots of cigarettes. Box of Cocoa Puffs on a floor tom. Going outside while Mal did vocals. Goth Matt not so goth on his day off. Still super proud of the line "On the Hudson with my X-Ray specs / And in lawn chairs on New Jersey Decks", which was basically me saying "What would Tom Habetz write?" Also "You gotta retreat to win". Truer now than it ever was.


Mal:
RE:"The EPICEST CD of ALL TIME!"-Kanye West
The one thing I remember most of all about that CD is listening to it in the car after recording it about 100-200 times and just saying, "this thing sounds fuckin awesome!"
We elected not to autotune the vocals so rappers in the future would have something to mask their lack of talent. I remember trying to record vocals and feeling weird that I wasn't holding my guitar. Easy Friend felt like some voodoo hex had been put on us. I think we tried it 50 times...that $100 American was worth way more then. My brother told me one of his friends in Austin, TX thinks "Rocketship" is the greatest song ever. They're still sellin' this cd (#37) online at netsoundsmusic.com for $5.09. I Bet it has that "Nice Price" sticker on it.

Recording 4

Recording 1

Tuesday, February 14, 2012

The Storm Is on the Television

American Pragmatists
Fairfield University
December 12, 1992

My first memory of the trip is being on a pay phone in the lobby of East Hill dormitory, perched above Van Cortlandt Park in the Bronx. On the other end of the line was my brother Andy in Philadelphia and things were not looking good. It was Friday, early afternoon, and it had been raining all day with little sign of an end. A vicious nor’easter would go on to submerge the West Side Highway, the FDR Drive, and houses up the East Coast.

“Rob and Pam don’t want to do it,” he said, or something to that effect. Considering the weather, I wasn’t sure I wanted to do it anymore either.

Not always the types to look too far into the future, we were stuck in the undesirable situation of needing to re-evaluate plans concocted weeks ago. At Fairfield University, Ted had moved into a house on campus with friends and started a band in the basement. We knew nothing about them except that they were called American Pragmatists and that there couldn’t be anything more fun than getting Andy’s band Kimbashing up there so they could play a show together. They had booked a performance at the theater on campus for that night.

Even had things worked smoothly the plan was geographically ludicrous. After an exam I was scheduled to take the train to our parents’ house in Edison, New Jersey to borrow their Dodge Ram Charger, then drive to Philly, pick up Andy, Rob, Pam, Ed, and their gear, and then get back on the Turnpike and drive back north to Connecticut. Considering the weather and traffic reports coming out of 1010 WINS radio (always sufficient to make you want to dive under the bed and hide) this was probably not going to be in the offing.

In the end, I decided there was no choice but to give it a try, riding the 1/9 anxiously downtown to Penn Station, transferring to New Jersey Transit and watching with fascination at the rising waters on the Meadowlands, lapping up within a couple of feet of the tracks. Later that afternoon the flood climbed even higher and trains were stranded in the chemical swamp for hours until it could subside. I disembarked at Metropark, picked up the truck, and made it to Philadelphia early in the evening. Before I even reached Philly we learned that the show had been cancelled anyway because the school was closed, but alternate plans had been made. There would be a party at Ted’s house the next night.

In the end, Kimbashing pulled out because of the change in schedule, but Andy, his roommate Pete, and I set out on Saturday. I recall stopping at a traffic light along Route 1 near Princeton and noticing the lakes that had formed on the corporate parks, threatening to flow onto the highway. I think we listened to cassettes on a boom box all the way up because there was no tape deck in the truck. Otherwise, the drive was surprisingly uneventful.

We arrived at Fairfield late in the afternoon. The precipitation had turned to ice there. It splintered beneath our feet as we searched the nondescript townhouses for our destination. As we rang the bell, we could hear a rumble from inside. When one of Ted’s roommates opened the door, we realized it was a band rehearsing in the basement. “Who’s that?” we asked our greeter. “It’s the Pragmatists,” he replied. Down the stairs we went.

I don’t know how to explain the effect of that droning B power chord on my post-adolescent brain, played in unison on Tom and Lys’s electric guitars, driven through tube amps, laid in a bed of Pat’s bass, given velocity through the eighth-note pinging of Ted’s wooden stick on a ride cymbal.  Surely there is a neuro-physical explanation for why the overtones from the held F sharp and high B immediately moved me and make my skin crawl every time I hear them. All I knew, and all at once, was that friends of mine had written one of the most powerful songs I’d ever heard.

B to A, F sharp to G, over and over and over again until Tom (I don’t think we’d met yet) stepped to the microphone, singing out in a country-tinged drawl that belied the poetry in his postpunk tribute to Gone With the Wind:

I remember she had this amazing vocabulary.
Oh, she spoke in loves of bread.
When she cut me she was smiling,
and I remember, I remember, I remember
I remember what she said:

“Oh, look around you with your eyes in your fists.
Don’t look at this, these houses are strong
And they’re built to resist.
Oh, look around you with your eyes in your fists.
Don’t look at this, these houses are strong
And they’re built to resist.”
Oh, Atlanta!

Myself, I don’t remember much about the rest of the night or the trip home. I’m not even sure anymore that this is exactly how the trip happened. But it’s almost 20 years later, and the sound of the electrifying welcome we received at the end of a long and wearying journey is all the memory I need.

Sunday, February 12, 2012

If you enjoyed "The American Pragmatists", you might also like...

Vinegar_2

Vinegar Tasters...OK. That was me, Belz, Tommy, and Lys Guillorn in Lys's basement. Believe it or not NO DRUGS. I remember we had a janky bass pedal but no bass drum so I ended up using a cardboard box stuffed with towels. Gave good Anti-Parent Culture Sound.
Belz got loose vocally-lyrically. We ate lunch under a tree in Lys's back yard at a table. That afternoon, using Lys's wall-mounted phone in the kitchen, I found out a girl I was in love with went and got married, WITHOUT my say so. Crusher sort of. Then back to making awesome sounds.

-Ted

Vinegar_1

Saturday, February 11, 2012

The Sick Passengers: The Last Show

The Sick Passengers: Christopher Meeder, Chris Williams, Bill Kennedy, Jason Das
Uncle Joe’s Pub
Jersey City, NJ
April 30, 2005

In the spring of 2005 we had plans to go into the studio to document our new crop of songs before Bill moved to Chicago. Alas, it was not to be. Fortunately, we ran a recorder in the back of the room on what turned out to be the last evening we’d all spend in the same room together. If we hadn’t, most of these songs would have been lost forever.

It was a difficult, emotional night and everyone’s nerves were on edge. The recording is way up in the red, but that was just our way of getting the job done. Listen to the death throes of the Passengers in all our ragged glory.

(Don’t miss “Your Patience Bores Me” and “Thaw” below the scroll in the player. They were real burners.)